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Статья 127, КАС 21 ФЗ РФ, Принятие административного искового заявления
 
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ФЗ №21 КАС от 8 марта 2015 года. Текст статьи документа: Статья 127. Принятие административного искового заявления 1. Вопрос о принятии административного искового заявления к производству суда рассматривается судьей единолично в течение трех дней со дня поступления административного искового заявления в суд, если иной срок не предусмотрен настоящим Кодексом. 2. О принятии административного искового заявления к производству суда судья выносит определение, на основании которого в суде первой инстанции возбуждается производство по административному делу. В определении указываются номера телефонов и факсов суда, его почтовый адрес, адрес официального сайта суда в информационно-телекоммуникационной сети "Интернет", адрес электронной почты суда, по которым лица, участвующие в деле, могут направлять и получать информацию об административном деле, и иные сведения, предусмотренные настоящим Кодексом. 3. Копии определения о принятии административного искового заявления к производству суда направляются лицам, участвующим в деле, их представителям не позднее следующего рабочего дня после дня вынесения определения. Копии административного искового заявления и приложенных к нему документов также направляются административному ответчику и заинтересованным лицам, если такие копии не были направлены в соответствии с частью 7 статьи 125 настоящего Кодекса. Кодекс административного судопроизводства Российской Федерации от 08.03.2015 г. N 21-ФЗ КАС Федеральный закон, Аудиокнига. глава#статья#пункт#подпункт#часть#гл#ст#п#подп#ч#Текст#закон#изменения#дополнения#вступил#в#силу#аудиокнига#кодекс#суд#судья#апелляция#первая#вторая#третья#высшая#инстанция#государственная#пошлина#рассмотрение#истец#ответчик#иск#исковое#заявление#ходатайство#право#юрист#адвокат
КАС РФ, Статья 45, Права и обязанности лиц, участвующих в деле
 
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Юридический портал документов и услуг: http://bir-doc.com/ , Бесплатный сервис размещения объявлений на десятки ведущих сайтов объявлений: https://vse-doski.com/ 1. Лица, участвующие в деле, имеют право: 1) знакомиться с материалами административного дела, делать выписки из них и снимать с них копии; 2) заявлять отводы; 3) представлять доказательства, до начала судебного разбирательства знакомиться с доказательствами, представленными другими лицами, участвующими в этом деле, и с доказательствами, истребованными в том числе по инициативе суда, участвовать в исследовании доказательств; 4) задавать вопросы другим участникам судебного процесса; 5) заявлять ходатайства, в том числе об истребовании доказательств, знакомиться с протоколом судебного заседания, результатами аудио- и (или) видеопротоколирования хода судебного заседания, если такое протоколирование осуществлялось, и представлять письменные замечания к протоколу и в отношении результатов аудио- и (или) видеопротоколирования; 6) давать объяснения суду в устной и письменной форме; 7) приводить свои доводы по всем возникающим в ходе судебного разбирательства вопросам; 8) возражать против ходатайств и доводов других лиц, участвующих в деле; 9) знать о жалобах, поданных другими лицами, участвующими в деле, о принятых по данному административному делу судебных актах и получать копии судебных актов, принимаемых в виде отдельного документа; 10) знакомиться с особым мнением судьи по административному делу; 11) обжаловать судебные акты в части, касающейся их прав, свобод и законных интересов; 12) пользоваться другими процессуальными правами, предоставленными настоящим Кодексом. 2. Административное исковое заявление, заявление, жалоба, представление и иные документы могут быть поданы в суд на бумажном носителе или в электронном виде, в том числе в форме электронного документа, подписанного электронной подписью в порядке, установленном законодательством Российской Федерации, посредством заполнения формы, размещенной на официальном сайте суда в информационно-телекоммуникационной сети "Интернет". 3. Утратила силу. 4. Лица, участвующие в деле, вправе получать с использованием информационно-телекоммуникационной сети "Интернет" копии судебных актов, выполненных в форме электронных документов, извещения, вызовы и иные документы (их копии) в электронном виде, за исключением документов, содержащих информацию, доступ к которой в соответствии с законодательством ограничен. 5. В случаях, предусмотренных настоящим Кодексом, лица, участвующие в деле, обязаны вести дела в суде с участием представителей, которые отвечают требованиям, предусмотренным статьей 55 настоящего Кодекса. Если административные дела в суде ведутся с участием представителей, лица, участвующие в деле, могут определить права, которые представители осуществляют исключительно с их согласия. Через своих представителей лица, участвующие в деле, могут задавать вопросы другим участникам судебного процесса, давать необходимые пояснения, высказывать мнения и совершать иные процессуальные действия. При необходимости суд вправе привлекать к участию в осуществлении процессуальных прав непосредственно лиц, участвующих в деле. 6. Лица, участвующие в деле, должны добросовестно пользоваться всеми принадлежащими им процессуальными правами. 7. Недобросовестное заявление неосновательного административного иска, противодействие, в том числе систематическое, лиц, участвующих в деле, правильному и своевременному рассмотрению и разрешению административного дела, а также злоупотребление процессуальными правами в иных формах влечет за собой наступление для этих лиц последствий, предусмотренных настоящим Кодексом. 8. Лица, участвующие в деле, несут процессуальные обязанности, предусмотренные настоящим Кодексом, а также обязанности, возложенные на них судом в соответствии с настоящим Кодексом. 9. Неисполнение процессуальных обязанностей лицами, участвующими в деле, влечет за собой наступление для этих лиц последствий, предусмотренных настоящим Кодекс
Про встановлення факту родинних відносин між фізичними особами
 
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Проект "Відкритий Суд" http://open-court.org/ Дата: 21.02.2018 Суд: Апеляційний суд Київської області Судочинство: цивільне Судді: Голуб С. А. (головуючий), Сліпченко О. І., Приходько К. П. Сторони: заявник - Зінов'єва Л. М.; представник заявника - Особа_1; заінтересована особа - Бориспільський міськрайонний відділ державної реєстрації актів цивільного стану Головного територіального управління юстиції у Київській області; заінтересована особа (апелянт) - Тимошенко Л. Я.; представник заінтересованої особи (апелянта) - Особа_2 Предмет розгляду: розгляд апеляційної скарги на рішення Бориспільського міськрайонного суду Київської області від 21.12.2016 року у справі за заявою про встановлення факту родинних відносин між фізичними особами Результат розгляду: апеляційну скаргу задоволено (http://www.reyestr.court.gov.ua/Review/69937398) Всі права належать ГО “Відкрита Україна” Відео не може бути використано в комерційних цілях При порушенні авторських прав просимо повідомляти безпосередньо ГО “Відкрита Україна” Слідкуйте за новинами проекту Відкритий Суд у Facebook: https://www.facebook.com/opencourtorg/ https://www.facebook.com/OpenCourtReporter/ Проект "Открытый Суд" http://open-court.org/ Дата: 21.02.2018 Суд: Апелляционный суд Киевской области Судопроизводство: гражданское Судьи: Голуб С. А. (председательствующий), Слипченко А. И., Приходько К. П. Стороны: заявитель - Зиновьева Л. М.; представитель заявителя - Лицо_1; заинтересованное лицо - Бориспольский горрайонный отдел государственной регистрации актов гражданского состояния Главного территориального управления юстиции в Киевской области; заинтересованное лицо (апеллянт) - Тимошенко Л. Я.; представитель заинтересованного лица (апеллянта) - Лицо_2 Предмет рассмотрения: рассмотрение апелляционной жалобы на решение Бориспольского горрайонного суда Киевской области от 21.12.2016 года по делу по заявлению об установлении факта родственных отношений между физическими лицами Результат рассмотрения: апелляционную жалобу удовлетворено (http://www.reyestr.court.gov.ua/Review/69937398) Все права принадлежат ОО "Открытая Украина" Видео не может быть использовано в коммерческих целях При нарушении авторских прав просим сообщать непосредственно ОО "Открытая Украина" Следите за новостями проекта Открытый Суд в Facebook: https://www.facebook.com/opencourtorg/ https://www.facebook.com/OpenCourtReporter/
Про встановлення факту родинних відносин між фізичними особами
 
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Проект "Відкритий Суд" http://open-court.org/ Дата: 02.03.2018 Суд: Дарницький районний суд міста Києва Судочинство: цивільне Суддя: Колесник О. М. Сторони: заявник - Горцепаєва Л. А.; заінтересована особа - Дарницький районний у місті Києві відділ державної реєстрації актів цивільного стану Головного територіального управління юстиції у місті Києві Предмет розгляду: про встановлення факту родинних відносин Результат розгляду: заяву про встановлення факту родинних відносин задоволено (http://www.reyestr.court.gov.ua/Review/71366981) Всі права належать ГО “Відкрита Україна” Відео не може бути використано в комерційних цілях При порушенні авторських прав просимо повідомляти безпосередньо ГО “Відкрита Україна” Слідкуйте за новинами проекту Відкритий Суд у Facebook: https://www.facebook.com/opencourtorg/ https://www.facebook.com/OpenCourtReporter/ Проект "Открытый Суд" http://open-court.org/ Дата: 02.03.2018 Суд: Дарницкий районный суд города Киева Судопроизводство: гражданское Судья: Колесник О. Н. Стороны: заявитель - Горцепаева Л. А.; заинтересованное лицо - Дарницкий районный в городе Киеве отдел государственной регистрации актов гражданского состояния Главного территориального управления юстиции в городе Киеве Предмет рассмотрения: об установлении факта родственных отношений Результат рассмотрения: заявление об установлении факта родственных отношений удовлетворенно (http://www.reyestr.court.gov.ua/Review/71366981) Все права принадлежат ОО "Открытая Украина" Видео не может быть использовано в коммерческих целях При нарушении авторских прав просим сообщать непосредственно ОО "Открытая Украина" Следите за новостями проекта Открытый Суд в Facebook: https://www.facebook.com/opencourtorg/ https://www.facebook.com/OpenCourtReporter/
Тайные намерения внеземных сил|Маршалл Виан Саммерс дает интервью Проекту Камелот
 
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Керри Кэссиди говорит с Маршаллом Вианом Саммерсом о Знании Великого Сообщества,а также о вступлении человечества в сложную Вселенную, полную разумной жизни. Г-н Саммерс прошел через необыкновенный опыт общения с теми, кто называет себя «Невидимыми», и которые описываются как Ангельское присутствие. Это послужило началом необъяснимой коммуникации с Саммерсом о разъяснении тайного намерения и цели Вторжения на Земле технологически-продвинутыми расами из нашей локальной Вселенной. Полученная им информация также включает в себя важную подготовку для разумного и этического контакта в противодействии сложному и скрытому вторжению. Союзники человечества http://www.soyuzniki.org Новое послание от Бога https://www.newmessage.org/ru
Юристы в Ижевске по семейным делам
 
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Юристы в Ижевске по семейным делам.
Тайные намерения внеземных сил|Маршалл Виан Саммерс дает интервью Проекту Камелот
 
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Интервью Керри Кэссиди с Маршаллом Вианом Саммерсом "Союзники человечества" http://soyuzniki.org/
Selective Hearing: Brian Deer and The GMC
 
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Brian Deer, a journalist writing for News Internationals Sunday Times, was the only person in the world to complain to a regulatory body about the work of doctors at the Royal Free Hospital in London who diagnosed children with Inflammatory Bowel Disease, which their parents suggested had occurred following MMR vaccination. In 2003, after 10 years work, legal aid was withdrawn from over 1,000 parents claiming damages in a suit in which Dr Andrew Wakefield was to appear as an expert witness. In 2004 Deer wrote an exposé of Wakefield that was full of concoctions, half truths and fantasies and which claimed that the children examined by the team at the Royal Free were not ill. Deer's distorted pharma--imaginings became the basis of over 80 charges leveled against Dr Wakefield and three other doctors to be 'tried' by the General Medical Council (GMC). The hearing took place over three years between 2007 and 2010 and became one of the longest regulatory hearings ever held in Britain. Brian Deer, the centre of the whole plot, did not give evidence. In bringing the fitness to practice case against Dr Andrew Wakefield, Professor Simon Murch and Professor John Walker-Smith, the GMC listened to journalist Brian Deer and excluded the views of hundreds of parents of vaccine damaged children. Who is Brian Deer? Vigilante for truth or front man for Big Pharma? Selective Hearing covers Deer's part in the heartbreaking betrayal of vaccine damaged children by the medical profession, the pharmaceutical corporations and the British government. With the full power of the government and pharmaceutical industry behind him, few people were brave enough to tackle Deer. Alan Golding, however, is a Welshman, a very independent filmmaker and a man of considerable principle. Alan Golding gave himself completely over the three--year duration of the GMC hearing, to the cause of the parents of vaccine damaged children. Selective Hearing features clearly honest personal testimony from parents, an analysis of Deer's faulted case and unique material of him holding forth for the pharmaceutical companies in a heated exchange with parents outside the GMC building. If you see this film you will want to do something about Brian Deer. Martin J Walker investigative writer and author. http://www.slingshotpublications.com
Views: 154087 GoldenHawkprojects
Suspense: Portrait Without a Face / The Defense Rests / Narrative About Clarence
 
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Suspense is a radio drama series broadcast from 1942 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theater of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 are extant. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. The familiar opening phrase "tales well-calculated to..." was satirized by Mad as the cover blurb "Tales Calculated to Drive You... Mad" on its first issue (October--November 1952) and continuing until issue #23 (May 1955). Radio comedians Bob and Ray had a recurring routine lampooning the show, with stories that were presented as dramatic but were intentionally mundane, entitled "Tales calculated to put you in a state of... Apathy!" http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 15651 Remember This
Calling All Cars: The Blonde Paper Hanger / The Abandoned Bricks / The Swollen Face
 
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The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 1472197 Remember This
Suspense: The Bride Vanishes / Till Death Do Us Part / Two Sharp Knives
 
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Together with the Authorized version and the works of Shakespeare, the Book of Common Prayer has been one of the three fundamental underpinnings of modern English. As it has been in regular use for centuries, many phrases from its services have passed into the English language, either as deliberate quotations or as unconscious borrowings. They are used in non-liturgical ways. For example, many authors have used quotes from the prayer book as titles for their books. Some examples of well-known phrases from the Book of Common Prayer are: "Speak now or forever hold your peace" from the marriage liturgy. "Till death us do part", from the marriage liturgy. "Earth to earth, ashes to ashes, dust to dust" from the funeral service. "From all the deceits of the world, the flesh, and the devil" from the litany. "Read, mark, learn, and inwardly digest" from the collect for the second Sunday of Advent. "Evil liver" from the rubrics for Holy Communion. "All sorts and conditions of men" from the Order for Morning Prayer. "Peace in our time" from Morning Prayer, Versicles. The phrase "till death us do part" ("till death us depart" before 1662[5]) has been changed to "till death do us part" in some more recent prayer books, such as the 1962 Canadian Book of Common Prayer. References and allusions to Prayer Book services in the works of Shakespeare were tracked down and identified by Richmond Noble (Noble 1935, p. 82). Derision of the Prayer Book or its contents "in any interludes, plays, songs, rhymes, or by other open words" was a criminal offence under the 1559 Act of Uniformity,[6] and consequently Shakespeare avoids too direct reference; but Noble particularly identifies the reading of the Psalter according to the Great Bible version specified in the Prayer Book, as the biblical book generating the largest number of Biblical references in Shakespeare's plays. Noble found a total of 157 allusions to the Psalms in the plays of the First Folio, relating to 62 separate Psalms—all, save one, of which he linked to the version in the Psalter, rather than those in the Geneva Bible or Bishops' Bible. In addition, there are a small number of direct allusions to liturgical texts in the Prayer Book; e.g. Henry VIII 3:2 where Wolsey states "Vain Pomp and Glory of this World, I hate ye!", a clear reference to the rite of Public Baptism; where the Godparents are asked "Doest thou forsake the vaine pompe and glory of the worlde..?" More recently, P.D. James used phrases from the Book of Common Prayer and made them into bestselling titles—Devices and Desires and The Children of Men, while Alfonso Cuarón's 2006 film Children of Men placed the phrase onto cinema marquees worldwide. http://en.wikipedia.org/wiki/Book_of_Common_Prayer#Literary_influence
Views: 150922 Remember This
John Lennon and George Harrison on Transcendental Meditation - Beatles Interview
 
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The Transcendental Meditation technique is a specific form of mantra meditation developed by Maharishi Mahesh Yogi. It is often referred to as Transcendental Meditation or simply, TM. The meditation practice involves the use of a mantra, and is practiced for 15--20 minutes twice per day, while sitting with closed eyes. It is reported to be one of the most widely practiced, and among the most widely researched, meditation techniques, with over 340 peer-reviewed studies published. Research reviews of the effects of the Transcendental Meditation technique have yielded results ranging from inconclusive to clinically significant. The technique is made available worldwide by certified TM teachers in a seven step course and fees vary from country to country. Beginning in 1965, the Transcendental Meditation technique has been incorporated into selected schools, universities, corporations and prison programs in the U.S.A., Latin America, Europe, and India. In 1977, a U.S. district court ruled that a curriculum in TM and the Science of Creative Intelligence that was being taught in some New Jersey, USA schools was religious in nature and in violation of the First Amendment. The technique has since been included in a number of educational and social programs around the world. The Transcendental Meditation technique has been described as both religious and non religious. The technique has been described in various ways including as an aspect of a new religious movement, as rooted in Hinduism, and as a non-religious practice for self development. The public presentation of the TM technique over its 50-year history has been praised for its high visibility in the mass media and effective global propagation, and criticized for using celebrity and scientific endorsements as a marketing tool. Advanced courses supplement the TM technique and include an advanced meditation called the TM-Sidhi program. In 1970, the Science of Creative Intelligence (SCI) became the theoretical basis for the Transcendental Meditation technique, although skeptics questioned its scientific nature. According to proponents, when 1 percent of a population (such as a city or country) practices the TM technique daily, their practice influences the quality of life for that population. This has been termed the Maharishi Effect. In the 1960s, "seekers" who had learned from the "psychedelic experience" began turning toward meditation. Beginning in 1959, the Maharishi began "building an infrastructure" using a "mass marketing model" for teaching the TM technique to Westerners. First, the Maharishi visited the U.S. because he felt that its people were ready to try something new, and the rest of the world would then "take notice". By the same token, author Philip Goldberg says the Maharishi's insistence that TM was easy to do was not a "marketing ploy," but rather "a statement about the nature of the mind." In the mid 1960s, the TM organization began presenting its meditation to students via a campaign led by a man named Jerry Jarvis who had taken the TM course in 1961. By 1966, the Students Meditation Society (SIMS) had begun programs in colleges such as Berkley, Harvard, Yale and others, and was a "phenomenal success". In the late 1960s, the TM technique received "major publicity" through its associations with The Beatles, and by identifying itself with various aspects of modern day counterculture. TM is said to have taken full advantage of all available publicity, and began to market to specific populations, such as spiritual people, political people and "pragmatic" self-help people. The latter approach is said to have been "given impetus" by the scientific research on the technique. In The Future of Religion, sociologists Bainbridge and Stark write that, while the movement attracted many people through endorsements from celebrities such as The Beatles, another marketing approach was "getting articles published in scientific journals, apparently proving TM's claims or at least giving them scientific status".[292] In the 1970s, according to Philip Goldberg, the Maharishi began encouraging research on the TM technique because he felt that hard scientific data would be a useful marketing tool and a way to re-brand meditation as a scientific form of deep rest, rather than a mystical "samadhi"; one of his first steps in secularizing the technique. The Maharishi's "appropriation of science was clearly part of his agenda from the beginning" says Goldberg, and so his "organization was incorporated as an educational non-profit, not a religious one". http://en.wikipedia.org/wiki/Transcendental_Meditation_technique
Words at War: Assignment USA / The Weeping Wood / Science at War
 
01:27:26
The Detroit Race Riot broke out in Detroit, Michigan in June 20, 1943, and lasted for three days before Federal troops restored order. The rioting between blacks and whites began on Belle Isle on June 20, 1943 and continued until the 22nd of June, killing 34, wounding 433, and destroying property valued at $2 million. In the summer of 1943, in the midst of World War II, tensions between blacks and whites in Detroit were escalating. Detroit's population had grown by 350,000 people since the war began. The booming defense industries brought in large numbers of people with high wages and very little available housing. 50,000 blacks had recently arrived along with 300,000 whites, mostly from rural Appalachia and Southern States.[2] Recruiters convinced blacks as well as whites in the South to come up North by promising them higher wages in the new war factories. Believing that they had found a promised land, blacks began to move up North in larger numbers. However, upon arriving in Detroit, blacks found that the northern bigotry was just as bad as that they left behind in the deep South. They were excluded from all public housing except Brewster Housing Projects, forced to live in homes without indoor plumbing, and paid rents two to three times higher than families in white districts. They also faced discrimination from the public and unfair treatment by the Detroit Police Department.[3] In addition, Southern whites brought their traditional bigotry with them as both races head up North, adding serious racial tensions to the area. Job-seekers arrived in such large numbers in Detroit that it was impossible to house them all. Before the attack on Pearl Harbor, the U.S. government was concerned about providing housing for the workers who were beginning to pour into the area. On June 4, 1941, the Detroit Housing Commission approved two sites for defense housing projects--one for whites, one for blacks. The site originally selected by the commission for black workers was in a predominantly black area, but the U.S. government chose a site at Nevada and Fenelon streets, an all-white neighborhood. To complete this, a project named Sojourner Truth was launched in the memory of a black Civil War woman and poet. Despite this, the white neighborhoods opposed having blacks moving next to their homes, meaning no tenants were to be built. On January, 20, 1942, Washington DC informed the Housing Commission that the Sojourner Truth project would be for whites and another would be selected for blacks. But when a suitable site for blacks could not be found, Washington housing authorities agreed to allow blacks into the finished homes. This was set on February 28, 1942.[4] In February 27, 1942, 120 whites went on protest vowing they would keep any black homeowners out of their sight in response to the project. By the end of the day, it had grown to more than 1,200, most of them were armed. Things went so badly that two blacks in a car attempted to run over the protesters picket line which led to a clash between white and black groups. Despite the mounting opposition from whites, black families moved into the project at the end of April. To prevent a riot, Detroit Mayor Edward Jeffries ordered the Detroit Police Department and state troops to keep the peace during that move. Over 1,100 city and state police officers and 1,600 Michigan National Guard troops were mobilized and sent to the area around Nevada and Fenelon street to guard six African-American families who moved into the Sojourner Truth Homes. Thanks to the presence of the guard, there were no further racial problems for the blacks who moved into this federal housing project. Eventually, 168 black families moved into these homes.[5] Despite no casualties in the project, the fear was about to explode a year later.[6] In early June 1943, three weeks before the riot, Packard Motor Car Company promoted three blacks to work next to whites in the assembly lines. This promotion caused 25,000 whites to walk off the job, effectively slowing down the critical war production. It was clear that whites didn't mind that blacks worked in the same plant but refused to work side-by-side with them. During the protest, a voice with a Southern accent shouted in the loudspeaker, "I'd rather see Hitler and Hirohito win than work next to a nigger". http://en.wikipedia.org/wiki/Detroit_Race_Riot_%281943%29
Views: 275077 Remember This
Calling All Cars: Missing Messenger / Body, Body, Who's Got the Body / All That Glitters
 
01:27:24
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 137994 Remember This
Calling All Cars: Body on the Promenade Deck / The Missing Guns / The Man with Iron Pipes
 
01:28:24
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 81776 Remember This
Grief Drives a Black Sedan / People Are No Good / Time Found Again / Young Man Axelbrod
 
01:37:14
In the beginning of the Golden Age, American radio network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium. As a result, prime-time shows would be performed twice, once for each coast. However, "reference recordings" were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of prerecorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 33⅓ rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the center of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations.[7][8] When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were molded in a record press. http://en.wikipedia.org/wiki/Old_time_radio
Views: 88564 Remember This
Clinical Master Herbalist Interview With Steven Horne - The Herb Guy - The Master Herbalist
 
01:03:02
Clinical Master Herbalist Interview With Steven Horne - The Herb Guy Hamza and David explore the world of Herbal Therapies with Steven Horne. Can Herbal Therapies be stretched to have a bigger impact on society today? What is the the big deal with regards to dealing with the latest Herbal Therapies with experts like Steven Horne anyway? We discuss experiences both pro and con on the subject from a homies' perspective... Intrinsic Motivation - A Homies Perspective https://www.intrinsicmotivation.life - Come hang out with our weekly talk as we cover everything from Law of Attraction, Personal Development and more from a homie's perspective. Stay tuned! Steven's Website: https://modernherbalmedicine.com YT channel: https://www.youtube.com/channel/UCxCy8t2zrzeXly9vC527QhQ Facebook Page: https://www.facebook.com/Intrinsic-Motivation-A-Homies-Perspective-1840324906181321/ Google Plus: https://aboutme.google.com/b/104269580399573766056 SoundCloud: https://soundcloud.com/intrinsic-motivation-from-a-homies-perspective Clinical Herbalist - clinical herbalist and professional member of the american herbalists guild merry lycett harrison explains how she became an herbalist "out of necessity" 17 years ago to help heal herb young son of debilitating asthma and allergies. alchemy & medical astrology in clinical herbalism (breitenbush herb conference 2016). as their dedicated Herbalist Paths, designed to suit your path and your educational needs – from family to entrepreneurial to clinical herbalist career paths Clinical Herbalist training program: 3 years (intermediate – advanced) Clinical herbalist salary, ireland can i take phenergan and ambien together tablets walmart, clearance patio chair Traced them at thomson reuters fresher walk We offer our 1-year Family Herbalist and 3-year Clinical Herbalist programs, as well as a 9-month program, Herbal Roots Apprenticeship SystemsHealth Institute, and is currently working on his Clinical Herbalist Degree and National Association of Holistic Aromatherapists (NAHA) Certification This course is also the first step in pursuing the Clinical Herbalist certification I want to give special thanks to itsjoey for releasing how to become an herbalist // herbalism. Here are some of my other favorite youtubers and their videos! my herb collection and their uses Introduction to Herbalism - The Foundation of Understanding Plants Herbalist Rosemary Gladstar Discusses Herbs for Depression and Anxiety PCC Professional Herbalist Training HUGE hippie/witchy haul! // goodwill, room decor, crystals, and more! divination 101+ demos // witch, please. e03 Dandelion Herbs 101-Herbalist Kareem The Certified Herbalist Course-Why You Need to Take it! Dr. Terry Willard - What is it like to be an Herbalist? How To Make A Cream - Herbalism Basics 6 Certified Herbalist herbalism: rose medicine // DIY ROSE WATER TONER IN 10 MINUTES PCC's Professional Herbalism Program Psychology and Herbalism Herbal Honeys and Syrups Basic Herbology Wicca: What you need to get started. // witch, please. e02 Western Herbalism: Class Demo Jamal Moncur " Becoming an Herbalist the road to wisdom " Marc Sims Canna Essence Chef Smythe 4CyclesofLife.com The Chestnut School of Herbal Medicine Shirley Piccarreto itsjoey PCC Videos FREE WILL MAGIK School of Evolutionary Herbalism Southwest Institute of Healing Arts bodymindtv MOTHER EARTH NEWS and Friends rickvanman SAGINI INC. https://youtu.be/KGq4HfDI2D8 itunes:Intrinsic Motivation From A Homie's Perspective itunes:Hamza Davis and David Thompson
The Great Gildersleeve: Gildy the Athlete / Dinner with Peavey / Gildy Raises Christmas Money
 
01:29:30
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 51842 Remember This
Calling All Cars: Tenth Commandment / Six of a Kind / Murder in the Morning
 
01:27:20
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 10628 Remember This
Calling All Cars: The Flaming Tick of Death / The Crimson Riddle / The Cockeyed Killer
 
01:27:53
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 106056 Remember This
The Great Gildersleeve: Improving Leroy's Studies / Takes a Vacation / Jolly Boys Sponsor an Orphan
 
01:29:28
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children. By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together. Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 123694 Remember This
The Great Gildersleeve: Leila Returns / The Waterworks Breaks Down / Halloween Party
 
01:28:34
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
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The Great Gildersleeve: Gildy Learns to Samba / Should Marjorie Work / Wedding Date Set
 
01:29:30
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Views: 76331 Remember This
The Great Gildersleeve: Gildy Drives a Mercedes / Gildy Is Fired / Mystery Baby
 
01:29:31
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Views: 75572 Remember This